Verge Identity & signage system

Drawn at the height it actually grows.

Verge persuades councils to cut road verges twice a year instead of eight times, and records what comes back. The identity is made of plants, and the plants are not decoration: each is a species outline drawn at its true height relative to the others. You cannot resize one to balance a layout, because the height is a fact about the plant.

Client
Verge (invented)
Place
Bristol
Style
Solarpunk / eco-optimist
After
Riso-print charity work, 2020 onward
Type
Outfit; a written hand for the aside
Scale
1 cm of plant = 1 unit, everywhere
01

The mark is a verge in section

The word with a strip of planting beneath it, cut through as a survey would draw it. The species in the strip change with the season; the section line never does.

Primary lockup, June planting

The line
The ground. Everything grows from it and nothing floats above it, on any artefact, ever.
Seasonal
Four versions, one per quarter, each carrying the species actually in flower. The March mark is mostly bare, which is honest and was argued about.
Heights
Taken from the county flora and used as given. Cow parsley is more than twice the height of birdsfoot trefoil, so it is drawn that way even when it crowds the word.
Never
Never a leaf motif, never a circle of foliage, never a plant that does not grow on a Bristol verge.
02

Pick a species and watch the scale hold

Every outline is drawn from one height table. Switch species in and out: the drawing recomposes, but no plant is ever scaled to fit. The tall ones are tall.

 

Species in the mix
Species0
Tallestn/a
Scalen/a
The table
Six species, six heights in centimetres, taken once and never adjusted. Adding a seventh means measuring it, not drawing it to taste.
The scale
Set by the tallest plant in the mix, so a drawing of short species fills the frame just as well. What stays constant is the ratio between them.
Why it matters
The charity’s argument is that verges are habitat, not scenery. An illustration that resizes plants for composition is making them scenery again.
Colour
Each species has one flat colour from the palette. There is no green gradient anywhere: a gradient would imply light and this is a diagram.
03

Sage, clay, and one sun

Muted and printed rather than glowing. The palette is chosen so that two colours overlapping in a riso print make a third that is still in the palette.

Sage#7C8B6AFoliage and the ground. The most-used colour by area, deliberately the quietest.
Clay#B4553AAnything that has to be noticed: dates, the cutting months, the ask.
Sun#DFA53AFlower heads only. Never a background, never a panel.
Deep sage#4F5C41Stems, the written hand, and any button. Reads as ink at small sizes.
04

A plain sans and one written line

A geometric sans does all the work. A single handwritten line per artefact carries the aside, the thing a volunteer would have said, and never carries information.

Display
Outfit 600
Cut it twice
The aside
Written, once
and leave the rest alone
Body
Outfit 400
Verges cut twice a year carried 62 flowering species across the Bristol survey in 2026. The same verges cut eight times carried 11.
Label
Outfit 600, spaced
Survey plot 14 · A420 eastbound
One line
The handwriting appears once per artefact and never twice. Two makes it a typeface, and a typeface pretending to be handwriting is the thing this style is accused of.
Never data
No number, date or instruction is ever handwritten. If it matters it is set.
05

Applications

A campaign poster, a seed packet, a verge-side board, a card and the site. The plants on each are the ones growing there that month.

Cut it twice

not eight

Two cuts a year turned 11 species into 62 on the A420. Ask your council for the schedule.

VergeBristol

Campaign poster, A2

Verge
two cuts a year
Ruth Enys · Survey lead · Bristol

Card, 85 × 55 mm

VergeMix 03 · clay soil
Six species, 4 g, sows 20 m of verge. Heights on the back are real.

Seed packet, 90 mm square

This verge is cut in September
leave it be till then

Plot 14. Last surveyed June 2026: 41 flowering species.

verge.org.uk/14Bristol CC

Verge-side board, 400 × 300 mm

VergeSurvey · Ask · Give

62 species

on one road

The A420 survey, four years, both cutting schedules, all of it downloadable.

See the data

Website

06

Voice

The audience is a highways officer with a mowing contract, not a supporter. Everything written is a count, a month or a cost, because those are the things that change a schedule.

Say

Two cuts instead of eight. 62 species instead of 11.

Two numbers, both from the survey, both checkable.
Not

Let nature flourish in our communities.

Nothing in it can be done on a Tuesday by a person with a mower.
Say

Six cuts saved is about £1,400 a mile a year.

Puts the argument in the currency the decision is actually made in.
Not

Together we can build a greener future.

Could be any charity, so it recruits nobody and persuades no officer.
07

What breaks it

This style collapses into greetings-card the moment the drawing stops being a measurement. Four ways it goes, and the first is the one that empties it.

Scaling a plant to fit The one that empties it. A tall species is shrunk because it crowded the headline, and the drawing stops being a record of a place and becomes an arrangement of shapes that happen to look like plants.
Blobs instead of species Organic shapes arrive because they are quicker to draw and always compose. They are also unfalsifiable: nobody can tell you a blob is the wrong height.
a greener tomorrow
The optimism gradient A sunrise wash behind the type. It signals hope without claiming anything, which is the opposite of a charity whose whole case is a number from a survey.
A colour per campaign Four colours become nine as each project asks for its own. The palette is small so that two overlapping inks still land in it; adding a violet breaks the printing as well as the look.

Verge is invented, built as a portfolio exercise in the solarpunk and eco-optimist look. Bristol, the A420 and the species named are real; this charity, its surveys, figures and staff are not, and no number here should be read as a real count. The visual language is after the riso-printed charity and community work of about 2020 onward. Those designers are credited as influences only. Part of the One Rule Each series.

Rule

Every plant is drawn at its true height relative to every other plant. The scale may change; the ratios never do.